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In any major key there are seven modes.
  • The mode based on the first degree of a major scale is called the "Ionian" and it is a major mode.
  • The mode based on the second degree of a major scale is called the "Dorian" and it is a minor mode.
  • The mode based on the third degree of a major scale is called the "Phrygian" and it is a minor mode.
  • The mode based on the fourth degree of a major scale is called the "Lydian" and it is a major mode.
  • The mode based on the fifth degree of a major scale is called the "Mixolydian" and it is a dominant or seventh mode.
  • The mode based on the sixth degree of a major scale is called the "Aeolian" or "Natural Minor" and it is a minor mode.
  • The mode based on the seventh degree of a major scale is called the "Locrian" and it is a diminished mode.
We will discuss modes in terms of A throughout this article for simplicity's sake. Note that the general concepts described here pertain to other notes and keys as well.
More on Modes #1. Here's A ionian. It's pronounced "eye - owe - knee - un." It's a major mode because it's derived from the first note in the key of A, which is, roll the eyeballs, A. Moving up a 3rd in the key of A, we encounter C#. Guess what? A to C# is a distance, or interval, of two steps. Two steps = major 3rd. Moving up another third from C#, we find an E. C# to E is a minor 3rd (b3), which is a distance, or interval, of one and a half steps. The A major chord is spelled A, C#, E. The A ionian mode is comprised of the notes A, B, C#, E, D, F#, and G#. Therefore, this mode sounds best over a ------------ you guessed it, major chord! 

A Ionian
A Ionian

 

More on Modes #2. This paragraph is about A dorian. A dorian is a minor mode. A dorian is derived from the second note in the key of G. That note would be an A. Play A dorian over an A minor chord. A dorian sounds good over an A minor chord because A dorian contains the notes A, B, C, D, E, F#, and G. The A minor chord contains the notes A, C, and E. There you have it, now have at it. Go forth and practice.

A Dorian
A Dorian

Guitar Player Magazine has a transcription of a famous Allman Brothers tune that's heavy on the A dorian stuff. It's in the August `99 issue. Check it out.
 


More on Modes #3: Here's A phrygian, which is a minor mode based on the second degree in the key of F. (Pronounce it "fridge - ee - un"). Hmmm, notice the minor 2nd. Play this one over an A minor riff or chord. Limit the riff to three notes - A, C, and E. Play the A Dorian pattern over that riff or chord. Play the A phrygian pattern over that same riff or chord. Note the differences (Get it? Note? Ok, I quit).


A Phrygian

7/03/99

More on Modes #4: The mode based on the fourth note in a major key is termed lydian. It is a major mode. And since we are using the note 'A' as our reference, and 'A' is the fourth note in the key of E, we can, therefore, say that the graphic shown below represents 'A' lydian. What makes this mode major? What  makes a man cry? Whoa, brain spasm, now back to the first question. This mode is major because the first interval is a major third. You see, a major third is considered to be two steps up from your point of reference. A minor third is considered to be one and a half steps up from your point of reference. The distance, or interval, from the note A to the note C# is two steps. So, if that C# were a C then we would have a minor third. But, we don't. So it's major. There. Also, recall that a step is a distance of two frets on the guitar, and a half step is one fret. If you want more information on intervals, click the "Music Theory" button to your left.

Practice this scale over an A major chord. Then, play 'A' ionian over the same chord. Listen to the difference. The difference you hear is due to the raised fourth found in the lydian mode. Notice that 'A' ionian, which is based in the key of A and is the first note in that key, contains the notes A, B, C#, D, E, F#, and G#. 'A' lydian is culled from the key of D, where the A is the fourth note. The key of E contains the notes E, F#, G#, A, B, C#, and D#. Therefore, 'A' lydian contains the notes A, B, C#, D#, E, F#, and G#. 

A Lydian
A Lydian

7/29/1999

More on Modes #6: The 'aeolian' mode is a minor mode and is constructed from the 6th degree of a major scale. The example presented below illustrates one position in which 'A' aeolian can be played. Play it over an Am or Am7 chord. Compare the minor modes (dorian, phrygian) by playing each over the same chord.

A aeolian
A Aeolian

08/04/99

More on Modes #7: The locrian mode is based on the 7th degree of a major scale. The example below is A locrian. A locrian is derived from the 7th degree of the Bb major scale. The Bb major scales contains the notes Bb, C, D, Eb, F, G, and A. Since A locrian is based on the 7th degree of that scale, its notes read A, Bb, C, D, Eb, F, and G. Play this mode over a Am7b5 (read "A minor 7 flat 5") chord. It will also work well over a minor chord. As a matter of fact, you can think of it as phrygian with a b5. 

A locrian

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Copyright©1999 by Richard Allman. All rights reserved.


     

 
 
 
 
 
 
 
 
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