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In any major
key there are seven modes.
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The mode based on the first
degree of a major scale is called the "Ionian" and it is a major mode.
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The mode based on the second
degree of a major scale is called the "Dorian" and it is a minor mode.
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The mode based on the third
degree of a major scale is called the "Phrygian" and it is a minor mode.
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The mode based on the fourth
degree of a major scale is called the "Lydian" and it is a major mode.
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The mode based on the fifth
degree of a major scale is called the "Mixolydian" and it is a dominant
or seventh mode.
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The mode based on the sixth
degree of a major scale is called the "Aeolian" or "Natural Minor" and
it is a minor mode.
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The mode based on the seventh
degree of a major scale is called the "Locrian" and it is a diminished
mode.
We will discuss modes in terms
of A throughout this article for simplicity's sake. Note that the general
concepts described here pertain to other notes and keys as well. |
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More on Modes #1. Here's
A ionian. It's pronounced "eye - owe - knee - un." It's a major mode because
it's derived from the first note in the key of A, which is, roll the eyeballs,
A. Moving up a 3rd in the key of A, we encounter C#. Guess what? A to C#
is a distance, or interval, of two steps. Two steps = major 3rd. Moving
up another third from C#, we find an E. C# to E is a minor 3rd (b3), which
is a distance, or interval, of one and a half steps. The A major chord
is spelled A, C#, E. The A ionian mode is comprised of the notes A, B,
C#, E, D, F#, and G#. Therefore, this mode sounds best over a ------------
you guessed it, major chord!
A Ionian
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More on Modes #2. This
paragraph is about A dorian. A dorian is a minor mode. A dorian is derived
from the second note in the key of G. That note would be an A. Play A dorian
over an A minor chord. A dorian sounds good over an A minor chord because
A dorian contains the notes A, B, C, D, E, F#, and G. The A minor chord
contains the notes A, C, and E. There you have it, now have at it. Go forth
and practice.
A Dorian
Guitar Player Magazine has
a transcription of a famous Allman Brothers tune that's heavy on the A
dorian stuff. It's in the August `99 issue. Check it out.
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More on Modes #3:
Here's A phrygian, which is a minor mode based on the second degree in
the key of F. (Pronounce it "fridge - ee - un"). Hmmm, notice the minor
2nd. Play this one over an A minor riff or chord. Limit the riff to three
notes - A, C, and E. Play the A Dorian pattern over that riff or chord.
Play the A phrygian pattern over that same riff or chord. Note the differences
(Get it? Note? Ok, I quit).
A Phrygian
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7/03/99
More on Modes #4:
The mode based on the fourth note in a major key is termed lydian.
It is a major mode. And since we are using the note 'A' as our reference,
and 'A' is the fourth note in the key of E, we can, therefore, say that
the graphic shown below represents 'A' lydian. What makes this mode major?
What makes a man cry? Whoa, brain spasm, now back to the first question.
This mode is major because the first interval is a major third. You see,
a major third is considered to be two steps up from your point of reference.
A minor third is considered to be one and a half steps up from your point
of reference. The distance, or interval, from the note A to the note C#
is two steps. So, if that C# were a C then we would have a minor third.
But, we don't. So it's major. There. Also, recall that a step is a distance
of two frets on the guitar, and a half step is one fret. If you want more
information on intervals, click the "Music Theory" button to your left.
Practice this scale over
an A major chord. Then, play 'A' ionian over the same chord. Listen to
the difference. The difference you hear is due to the raised fourth found
in the lydian mode. Notice that 'A' ionian, which is based in the key of
A and is the first note in that key, contains the notes A, B, C#,
D,
E, F#, and G#. 'A' lydian is culled from the key of D, where the A is the
fourth note. The key of E contains the notes E, F#, G#, A, B, C#, and D#.
Therefore, 'A' lydian contains the notes A, B, C#, D#, E, F#, and G#.
A Lydian
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7/29/1999
More on Modes #6:
The 'aeolian' mode is a minor mode and is constructed from the 6th degree
of a major scale. The example presented below illustrates one position
in which 'A' aeolian can be played. Play it over an Am or Am7 chord. Compare
the minor modes (dorian, phrygian) by playing each over the same chord.
A Aeolian
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08/04/99
More on Modes #7:
The locrian mode is based on the 7th degree of a major scale. The example
below is A locrian. A locrian is derived from the 7th degree of the Bb
major scale. The Bb major scales contains the notes Bb, C, D, Eb, F, G,
and A. Since A locrian is based on the 7th degree of that scale, its notes
read A, Bb, C, D, Eb, F, and G. Play this mode over a Am7b5 (read "A minor
7 flat 5") chord. It will also work well over a minor chord. As a matter
of fact, you can think of it as phrygian with a b5.

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Copyright©1999 by
Richard Allman. All rights reserved.
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